A Guide to Tideswell and Its Church
By Rev J.M.J. Fletcher
Transcriptions by Rosemary Lockie, © Copyright 2013
Organ and Case
We now cross over to the North Transept,
or Lady Chapel,- so called from the Gild of
S. Mary, whose Chantry was established here.
The Screen which divides it from the Nave.
and the Organ Case are the work of the late Mr. Advent
Hunstone. The subject of the carving, when completed,
will be “The Visit of the Angels to the Shepherds”. The
Organ, a fine two-manual instrument, was erected in
1895, by Foster and Andrewes, of Hull.
Stone Altar
Against the wall, behind the altar, is placed
a portion of the Old Stone Altar. Two
of the five Consecration Crosses are plainly
visible. It was found under the floor at the
restoration of 1875.
Stone Figures
There is no means of telling who are represented
by the two stone effigies which lie at the
back of the Organ, though it has been variously
conjectured that they were Daniels or
Foljambes. They used to be popularly known in the district as
'Adam and Eve'. In reality they are both female figures,
quite unconnected with each other, and of somewhat
different periods. A cursory inspection of the figures will
show that they were originally situated on the opposite
(south) side of the Church, and not necessarily near to
each other. They were placed in their present position
during the restoration of the Church in 1875.
Dr. Cox is of opinion that the oldest would date back
to the latter half of the thirteenth century - so that it
would have been placed in the earlier Church alluded to
above.
The date of the other figure, wearing a veil and wimple,
and with her feet resting on a dog, would be about 1375.
Old Stalls
The old black Oak Stalls, now placed in this
N. Transept were doubtless some of the
original Chancel Stalls, and, consequently, are
considerably more than 500 years old. They were in days
gone by probably occupied by the Chantry Priests
attached to the Gild, and possibly also by the Aldermen,
as well as by the Parochial Clergy. The seats have
“misericordes”, or “misereres” as they are often called.
That is, there are projecting brackets on the under side
of the seats, which were designed to afford some degree
of rest to the occupants of the stalls during the long
Services when they would be standing.
Fragments of ancient coloured glass may be seen at
the tops of the windows in the N. Transept, and on the
Easternmost window of the S. wall of the Nave. The
letters A.M. relate to A. Meverill.
In the latter half of the sixteenth century, Wyrley
appears to have found in the Church (possibly in the
windows), shields bearing the armorial bearings of the
following families: Stanley, Daniel, Foljambe, England,
Francis, Meverill, Darley, Warren, Frecheville, and
Thorold.
The Gild of S. Mary
More than once mention has been made of the
Gild of S. Mary of Tideswell. Such Gilds
were a great feature in the religious and social
life of the people of England during
Middle Ages. They were voluntary associations of men
and women of various ranks, uniting them together in
bonds of mutual aid and responsibility, so that the
members might be assisted in the various exigencies of
life, in times of sickness and old age and poverty, or when
suffering from wrongful imprisonment, or from loss by fire
or water. At the cost of the Gild, care was taken for the
fitting burial of the brethren. Added to this, there was the
thought of mutual aid in spiritual matters; of earnest
ministerial work amongst the living, and of prayers for
the living and the departed. Each year there was a great
Festival. After the Anniversary Service in the Church
there would be a procession to the Gild Hall, where all
would sit down to a common meal. We can well imagine
the benefit that a town would derive from its Gild
uniting, as it did, all classes of the community in bonds of
mutual sympathy and help. Such Gilds combined the
work of the Friendly Societies, the Insurance Societies,
and the Public Assistance Committees of the present day.
The “Gild of our Lady”, at Tideswell, was founded about
the year 1349, which would be soon after the erection
of the present Church. Its object was “to increase divine
service and maintain two chaplains at the altar of our
Lady”. In 1365, John Foljambe, with others contemplated
the endowment of a Chantry (that is to say the
provision of special clergy to carry on the religious
duties of the Gild) connected with it; and a license for the
purpose was granted by King Edward III. In 1384, James
Foljambe, son of the above-mentioned John, with other
inhabitants of Tideswell, obtained leave from Richard II.
to establish this Chantry, and to endow it with a
considerable amount of private property. Still, however,
times were not favourable. It was feared that the
property of the Gilds generally might be confiscated
by the State. And the Tideswell Gild was not in
a very flourishing condition. A Certificate of 1389 states
that “The brethren do not hold assemblies, nor have
they held feasts for seven years. They come together only
for funeral ceremonies”. However, the license was
eventually granted in 1392, and in this Charter the names of
Thurstan o'Boure and Margaret his wife are recorded as
being members of the Gild. It is interesting to know
that for more than 150 years this their Chantry Chapel
was largely used by the Brothers and Sisters of the Gild.
The Chantry was finally dissolved and its revenues
confiscated in the time of Edward VI. (1549), Christopher
Synderby and Christopher Lytton being the last of the
Chantry Priests. Some portion of the property was
purchased by Edward Peak and William Winlove of
London: the remainder including the Chantry House, by
Lawrence Hyde of London.
This Ancient Chapel of the Guild of S. Mary was
restored for use as a Lady Chapel in 1924, as the bronze
tablet affixed to the North wall, within the Altar rails,
tells us:- “In remembrance of the men of Tideswell who
gave their lives in the Great War, and in thankfulness
for all who loyally served their Country in the midst of
many and great dangers, and by the mercy of God
returned in safety to their homes”.
OCR/transcript by Rosemary Lockie in March 2013.
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